The Madman in the Cathedral
One Sunday morn, glowing bright with sunshine
With the sweet lustre of sapphire skies
Stood forlorn and despondent like an aged nun
Psalm singer second to none
In the bustling cathedral yards
Half covered by a worn out visor cap
His hair was tousled and grizzled
His garments were darned and re-darned
But still threadbare and tasseled
His facial lineaments were gouged
Scraggy and angular in completion
His torso was famished and hollow
His hands and palms were blistered and sore
From a life once constricted to manual burden
Abscesses constantly patched his variegated skin
His spine was painfully arched
Borne of past years of drudgery in hot sunshine
His ankles were still and tough
Like the pastern of an aged ox
His spindly bare feet were cracked underneath
Like a tar road mottled by crannies
Dangling on his emaciated neck
Was an old unique rosary
Holding a tiny creosoted wooden rood
A fetish of lifetime’s reverence
One Sunday morn, glowing bright with sunshine
Stood psalm singer second to none
Earnestly waiting for his mass
To pay his respect to the high God of heavens
This Earth
This earth that stretches boundless
Upon which both weak and mighty feet
Have ceaselessly trod
And mercilessly battled
Laboring and toiling under a curse
Reaping from their sweat
Endearing the pantheon upon bethels
Adoring a mightier God in sanctums,
This earth harbors the final warmth
For man’s very flesh!
When man runs short of breath
Forsaken by those who were dear
And that which was meaningful
Then the earth lovingly yields
And opens her warm bowels:
The true mother universe womb,
Laying him unto rest
There in a homely dell, will lie
Earthly king and page, friend
Or foe dressed I winding sheets,
Humming lilting serenades
As mortal voices grieve
Singing dirges
As tom toms romp
In bustling barbecue yards
There, from dust he came
Unto dust goes he
As the soul races back
To its primordial nought
Higher, higher
Where flambeaus never dwindle!
Where Love has Gone (Kenyan 1992 Civil
Clashes)
Tell me where love has gone oh country
Now that the battle lines are drawn
Upon your humble bowels
And treacherous fingers fiercely tremble
Upon your hilts
Like a billow of smoke;
Fraternity wanes and fades
In face of a dolorous maelstrom,
Traceless like a glass full of froth
Tell me where love has gone
Your gregarious ridges now brood
Forlornly enmeshed in a cobweb of fear
The folk seethes in skeins of agony
Hope glares deceitfully like a mirage
Your homeyards are crenellated,
Beleaguered after a centenary of tranquil
Tell me where love has gone
Oh country
Now that your placid nourished gardens
Are snares bearing feuds
Where peace was sowed
And your dense undergrowth
Looms cadaverous, infested
With machistically heinous archers
Ravenously yearning for blood
Tell me where love has gone
Your monuments stand, like sheer
Mockery heaps, artfully laid on pedestals
Subject to polemical lashing
Where polarity reigns amidst throes
Of a sweltering pestilential internecine crisis
Your creeks and rivers are fetid
And sour, masked with a grotesque
Gargoyle face, poisoned by innocent blood
Of kind hands which tilled
And nourished your folks
Tell me where love has gone
Oh country
That your erstwhile warden
Is the guile feral poacher,
That your caverns are dens
Of incorrigible logicians of arson,
That your nights are eerie and forbidding;
Tremulously churning
With a harsh cadence of death
That your taverns are no more
But lairs of the vindictive and vengeful,
On nefarious children of the feuds
Tell me where love has gone.
The Past (To Nelson Mandela)
The past holds my past
The past holds my trust;
Holds my fears
Bred in the centuries of years
The past holds my tears
Lingering without trickling at the sneers
The past holds my hope, ever hoping;
Without stooping into expectations.
The past holds my boldness, ever falling
Without pushing my courage to the nadir
The past holds my fury ever rising
Without eking into a stormy rage
The past holds my frankness ever plentiful
Without rising into undue sincerity
The past holds my patience ever stable;
Like wise to my facial countenance
The past holds my melanin and charm
Never brought to a ruinous harm
The holds my will
Ever staying on its drill
The past holds my trauma
Because I, dark hue, is enigma
The past holds my history
Much greater than any story
Because I am black
Beaming with luck!