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Chris Wanjala
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Chris Wanjala!!

CHRIS WANJALA(cwanjala1994@yahoo.co.uk)

Prof. Chris L. Wanjala of  Kenyan nationality,  reveals himself, in his poems, as a critic of affectation deeply aware of the disruption of traditional rural culture by modernity. After Bungoma Secondary School and Friends School, Kamusinga, he went to the University of Nairobi where he obtained an Honours degree and a PhD in Literature. He has been a Professor of Literature at Egerton University Njoro, and University of Nairobi Kenya, from 1985 to the present. He is the author of a recent novel, Drums of Death and several works of short fiction, poetry and literary criticism.

A PRAYER

 

Help me in my sacrifice

Help me oh God

This year they will circumcise each other again

They will come here

Complaining about witchcraft

 

God the Father, God the son

And my ancestors help me

This ritual is my gain

When that man goes home healed

That is the basis of my eating.
A WORKING NATION

 

A Working Nation is led by a walking duck

A working nation is galvanized by snarling motorcade

Don’t sit there and look for pombe

While others are working on the farm

 

A working nation on government vision

It is steered by an interventionist president   

Rallying a coalition and national unity

Do not sit there with your hands down

While others are breaking the sense of nationalism

 

A working nation manages its internal affairs

In a working nation people look for jobs

We have friends and well- wishers in this country

Don’t sit there with folded arms

Come forward and join the culture of hard work.

 

 

THE BEST POEM I READ

 

Glad, sad and mad

I mediate the good and painful things in my life

Powerful feelings flow

I write about feelings

Honest and best feelings

Honest writing, ringing with feelings from my heart

Intense, uncensored, highly changed thought

 

Honest writer is the best writer

Writing about feelings

Most direct and straight forward

Coming from the spirit

Coming from inspiration

 

Flowing without direction

Flowing without control

Impulse without end

Classical music and poetry in the background

Brood about the good and painful things of life

 

The best poem came from re-reading Neruda

Reading Derek Walcott and John Donne

Filanga happy with my love and with life

My mind was filled

I drifted and day dreamed

Falling in a systematic derangement of the senses

 

Arthur Rimbaudi’s conscious day mind

And the self same subconscious dream mind

I fall into a trance with my words

The dream mind leads the day mind

The dream world leads me to the world of instinct

But am I awake or am I dreaming?

 

Strong emotions dictate my thoughts

Strong emotions grip me and I write

I write the best poem

Charged with my unique spirit

Style, subject, form and intellect come later

I follow my instincts

And I write a natural poem

Redolent with genuine feelings.

 

I sequester myself from the poem

By cutting its umbilical cord by the navel

I am now a reader and not a writer

I have brought you to life

I leave my thought

And invite the words to rule over me

Tell me, what do they mean?

 

I am a true poet

I love my art for art’s sake

For its beauty

For the pleasure it gives me

I make a scan line and I pause

I take a breath from feelings

Allen Ginsberg’s natural breath-line

The best poem follows the beat generation

Kerouac and Ginsberg

 

 

 

JUMA, THE UGLY VILLAGER

 

In Chesamisi once

I saw Juma by the village butchery

Breaking the wind

Carrying his swollen ugly feet

Flies following dry leftovers from his anus

Glued on the gaping wounds of his naked back

 

He wore Kamatasi, the tatters of shirts

Shredded coats and vests woven together by sticks

He carried an earth-brown satchel

Loaded with rages from frayed blankets

Flies lice and bedbugs stood at the edge of his apparel

Singing by his ears

Crawling on his wounded hands

On the white and black mucus of his nose

His hair stood on his large Karl Marx head

Like stilted sticks

Dirt sticking at its ends like dark pelts

Darkened by the burning of yesterdays

Juma the ugly villager had no history

Came from the world war

Castrated by bullets at the frontline

An eunuch whining like a mule

Belching the diseases of Burma

He walked up the hill when he leaned of his dead parents

He returned after several seasons strayed

Only went up to collect the firewood

And warmed himself

In the abandoned hut

Juma’s large forehead

Juma’s jaws

Hanging on his brow like rocks

Were brightened with yellow teeth

And the bleeding gum

Caused by chewing of sugar cane

And cracking bones from the butchery

 

No word came from his labia majora for lips

As he rummaged the rocks for fruit

And threw some in anger and jest at passers-by

Juma, the ugly man of Chesamisi

The robust tourist attraction

To children and the indolent.

 

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